The artistry of mortality in ‘Drawing Closer’
The movie explores how dying young doesn’t mean living less, but living deeper, with quiet defiance.
The movie explores how dying young doesn’t mean living less, but living deeper, with quiet defiance.
‘Superboys of Malegaon’ is a heartfelt tribute to small-town dreamers who make films with passion and limited resources.
Recently featured at KIMFF, ‘Kottukkaali’ shows how casteism can undermine love, autonomy, and truth.
Recently screened at KIMFF, ‘A Shadow Grows Within the Void’ explores the quiet agony of being unseen.
In 15 minutes, ‘Maitighar’ paints a moving portrait of womanhood and their cultural duty.
‘Wonderland’ is a visually stunning film that explores grief through a near-future simulation service allowing people to reconnect with lost loved ones.
The film makes a sincere effort to portray characters struggling financially amid post-pandemic recession. But a contrived resolution highlights the film’s uninspired political imagination.
‘Ke Ghar Ke Dera—Ghar No. 2’ is emotionally shallow. Its fragmented narratives and sidelined female characters fail to leave an impact.
The movie takes viewers on a quiet, powerful journey through history, tradition, and personal rebellion—all without heavy dialogue or drama.
The movie is set in modern-day Nepal and inspired by real events.
The simplicity of the cinematography complements the understated elegance of the film’s storyline.
The movie blends magical realism with social commentary on themes such as identity and cultural conflict.
The movie resonates with those who’ve been told to ‘play it safe’ instead of following their passions.
The film, though it has its flaws, doesn’t follow a typical love story formula. It dares to be different.
It is an earnest movie that discusses many social issues but in the process loses its narrative focus and emotional depth.
‘The Mehta Boys’ explores the strained relationship between a father and son, highlighting their emotional distance.
‘Girls Rewriting Destiny’ follows the journey of 27 women attempting to summit Ganja La Chuli.
‘Mother of Snow Cranes’, recently screened at NIFF, shows the life of Ellen Vuosalo, who escapes a toxic marriage and finds strength.
The event is a part of the Nepal International Film Festival.
Even with its remarkable storytelling and symbolism, one can’t help but wonder why it hasn’t attracted the audience it deserves.